Eat Me, Drink Me [EXPLICIT LYRICS]

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1. If I Was Your Vampire | Listen![]() | Listen ![]() |
2. Putting Holes In Happiness | Listen![]() | Listen ![]() |
3. The Red Carpet Grave | Listen![]() | Listen ![]() |
4. They Said That Hell's Not Hot | Listen![]() | Listen ![]() |
5. Just A Car Crash Away | Listen![]() | Listen ![]() |
6. Heart-Shaped Glasses (When The Heart Guides The Hand) | Listen![]() | Listen ![]() |
7. Evidence | Listen![]() | Listen ![]() |
8. Are You The Rabbit? | Listen![]() | Listen ![]() |
9. Mutilation Is The Sincere Form Of Flattery | Listen![]() | Listen ![]() |
10. You And Me And The Devil Makes 3 | Listen![]() | Listen ![]() |
11. Eat Me, Drink Me | Listen![]() | Listen ![]() |
Editorial Reviews
Product Description
Four years since his last studio album, and following up on his highest charting radio single ever ("Personal Jesus", from Lest We Forget), Marilyn Manson returns with "Eat Me, Drink me". Art openings, soundtrack appearances, and personal circumstance have grabbed headlines for Manson in recent months, setting the stage for the release of Eat Me, Drink Me, which is unquestionably the artist's most personal statement yet. Always the provocateur, in what may be the ultimate subversion of the code of aggro-rock, the songs are immediately catchy - all jagged guitar hooks, anthemic choruses, with an overlying glam-rock sheen. Lyrically Manson has never been more riveting, seemingly having enough to draw from in his own life and from society at large to present a fresh, snarling vision.
Four years since his last studio album, and following up on his highest charting radio single ever ("Personal Jesus", from Lest We Forget), Marilyn Manson returns with "Eat Me, Drink me". Art openings, soundtrack appearances, and personal circumstance have grabbed headlines for Manson in recent months, setting the stage for the release of Eat Me, Drink Me, which is unquestionably the artist's most personal statement yet. Always the provocateur, in what may be the ultimate subversion of the code of aggro-rock, the songs are immediately catchy - all jagged guitar hooks, anthemic choruses, with an overlying glam-rock sheen. Lyrically Manson has never been more riveting, seemingly having enough to draw from in his own life and from society at large to present a fresh, snarling vision.
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| 1 of 4 people found the following review helpful: ![]() The rest just sounds like the childish jamming of Green Day.But since this is Marilyn Manson and I'm his fan,I am willing to buy it.The songs could have been better. ![]() ![]() ![]() |
| 2 of 5 people found the following review helpful: ![]()
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| 2 of 3 people found the following review helpful: ![]() Now I can see why people don't really appreciate Manson's new offering, seeing that his style has changed. While still dark, this album doesn't really show us the usual enraged Manson that we have all come to know and love. This time out, we get to see the melancholy side to the Anti-Christ Superstar. And since this album is centered on (for the most part) sadness of his personal life, we get to hear Manson sing alot more than on his previous releases. Now this is why I think "Eat Me, Drink Me" is such a good listen: First of all, the music (constructed by Tim Skold) has improved drastically over "Golden Age." The industrial side of MM has been toned down and the music on "EM,DM" is certainly more guitar-driven. Whoever thought Tim Skold could pump out solos or even take his guitar-playing to a whole new level? I definitely didn't and I have now been proved wrong. Besides the guitars, I think the drum-playing stands out the most in this album. Even though a drum machine was used, the drums sound like they came from the days of "Portrait of an American Family." The singing by Manson on this album is incredibly well done. It shows us that Manson still has something left in his wide-ranged arsenal. He sometimes even sounds like he's on the verge of a breakdown (listen to "Just A Car Crash Away"). On the other hand, Manson occasionally sounds like his old self (listen to "You and Me and the Devil Makes 3"). All in all, this is a great outing for MM, and its nice to see a new side to him. On the next release, I just hope Ginger Fish would take the place of the machine drums and I would like to see M.W Gacy have a much larger role. If you're a true fan of manson and would like to hear something new and not something recycled, I recommend you get "Eat Me, Drink Me" right now. ![]() ![]() ![]() |
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